Due to a nasty virus in my computer files, this week's blog post is postponed until the 24th. Many blessings.
12.3.2010... My computer is being repaired for longer than expected. A new post will appear within the next week.
The narrative journey of my Ancestor Work in a blend of spirituality, genealogy, memoir, and magic.
Remember...
Ancestral energy lives in the stars above us, the stones beneath us. Their memory gathers in oceans, rivers and seas. It hums its silent wisdom within the body of every tree.
Wednesday, November 17, 2010
Wednesday, November 10, 2010
Unwanted Ancestors: The Ones You Know
Every family tree has some bad apples, it’s that simple. There are and have been bad people in the world. And every one of them had a mother and father, and perhaps siblings, and many of them have had children of their own. Trickle down far enough, and some of us will find ourselves dangling at the end of one of those branches. This notion is something that steers people away from ancestor work. They don’t know what kind of spirits they’d be opening their door to.
Every apple tree bears some bad fruit. Every orchard often suffers the rot of an entire tree. It happens. And sometimes blight will devour an entire orchard and kill off a species. Here’s the simplest truth: you are who you are because of every single person on your family tree that came before you. Even if they are not directly related to you, but hang off on some side branch, those people molded and shaped the generational peers who were directly related to you.
Everything is interconnected. Everything. Another truth is that, just as you control who you open your front door to, you can control what spirits you open yourself and your heart to, without keeping that door locked. As long as you remember and believe that, you can work with or around those unwanted ancestors with ease.
When Bad Seeds Fall Close to Home
It’s hard for people to contemplate what sort of ancestors they might have had when the only people they’ve known familial were bad seeds, like parents and/or grandparents. I have known people whose immediate families were so toxic, they had trouble believing in the possibility that they themselves were capable of being good people. That is where reaching backwards into the line of ancestors can be healing. Every pattern of bad behavior starts somewhere, no matter the catalyst or reason. Remember that, because your ancestors also existed before that moment. They are waiting for you.
It only takes one person to teach hate and fear, releasing it onto further generations. It also only takes one person to stop the cycle of violence, hate and abuse. If you can recognize the behavior, recognize the triggers that prompt it in yourself and/or prompted it in others, you can find the strength of will to stop yourself from repeating them. You are of your family, you are not your family.
In this world, we all have scars. It’s not a competition over whose are worse. It’s just a sad circumstance of our culture. For cases where the scars run deep, I heartily endorse and recommend therapy, as cycles of hurt are hard to overcome. It’s difficult to believe in a perspective outside of the world of hurt. Therapists, counselors and psychologists can offer that help.
For example, being able to see the cycle that your parent hurt you because their parent hurt them because their parent hurt them because… allows you to see the bigger picture and the larger energy. You can step back and see it without the personal attachment to it which allows you to decide that you don’t want to be a part of that energy. And your stepping out of it lessens it’s momentum. Life doesn’t happen to us. But sometimes we have to remove ourselves from one current of energy that’s polluting us, to a healthier one. It only takes one person. Gandhi said, “Be the change you wish to see in the world.” No one has said it better.
I do not argue nature or nurture. I believe in both. I have watched a boy, nurtured in a loving family struggle with his angry outbursts and violent tendencies. A boy who never knew his biological father and struggled with emotions he could not control until he was a man, meeting the mirror of himself in his father. Without having been exposed to him, the boy learned that his father struggled with the same fights he himself had. Growing up nurtured was one step of his evolution. Learning to nurture himself was the next. This is why it’s important to have a connection to something that reminds us of the length of time stretching before us and the length of time stretching after us.
You don’t have to do work with the dead who hurt you. You don’t even have to honor them. But if you allow your emotions to block their presence in your past in your heart, you block everyone who came before them too.
Ancestor Ritual of Self
Here’s a simple and symbolic ritual designed for attachment and detachment. It is specifically tailored here to help you disconnect from pain associated with specific spirits- not the spirit itself. This is not a cure-all, or a solution to feelings you have not dealt with yet. This ritual is not about forgiveness. A Buddhist teacher once told me that forgiveness is something you give when you need to because your anger is hurting you. It is never about absolving the other person.
We anger at those who hurt us and it’s natural. Anger is a response our animal bodies have to situations that hurt us. It is supposed to act like a little burst of energy to propel us out of a bad situation. What it has evolved into, culturally, is something greater than it was meant to be. In that vein, this ritual is also about walking your body through a physical action of detaching to help change your actual brain chemistry and emotional response to the ghost of the person who hurt you. And over time, to how you respond to being hurt in general.
Light a candle for focus. Gather two pictures. One of a deceased family member who died that caused you pain, and one of you- with no other people in the photos (you can cut them out). If you have no photos, write their name on a piece of paper. Tie the picture of the deceased to the picture of you with a piece of red cord or yarn. Call on your ancestors, however elaborate or simply you wish, to offer support and witness.
Concentrate on the red cord (remembering the therapy I recommended). This is meant for people who have done the internal work first. Acknowledge the hurt sent to you from the deceased person. When you are focused and ready, and clearly see the thread between you, cut the red cord where it meets your picture with the intention that you no longer accept the energetic hold the other person had on your heart.
Discard the other picture however feels natural in the moment, as it no longer means anything to you. This is not about being disrespectful, but about you making a point to yourself that the emotional attachment that was there, isn’t. Hold your image, free from tethers and feel that strength run up your arms and into your heart. Then hold it in your heart and pull it down into your core. Remember that strength. This is where your magick lives.
The bonus of doing this kind of work is that, as your ancestors see you working towards wholeness, you may be unknowingly equalizing a cycle of bad turns that allows your ancestral energies still in the ether some semblance of peace as well, and perhaps at last.
Wednesday, November 3, 2010
The Bones of the Dead Beneath Us
I walked on old hallowed ground, though new to me, along the run of the Susquehanna River . From the start it was easy to see the ruination caused by the many floods that have plagued us here, but it also rings right that nature should retake that which she nourished. It is right that everything from the earth should return to the earth- not in a sealed box in the ground, separated from the soil. But perhaps that was true before there were so many of us trying to decay at once.
There was a particular statue that drew to this cemetery; a large winged angel that stands guardian along the road. Many of the tombstones were old, dating before this century. I would say that most of them spanned the turning of the century, with a small minority at one end that passed the Korean War. The trees ripple gold in the wind, their leaves chasing each other across limbs and into an autumnal freefall.
I found a moss-eaten stone for Catherine A. McLaughlin, wife of Michael J. McMahon, who lived 1882-1906. It’s the first tombstone of that time I’ve seen that listed a wife’s maiden name, which has proved barriers to many a genealogy hunter. And considering her age and the time of her death, it warms my heart. I like to imagine she was loved and that she mattered to her husband and her family.
There were many familial groupings like trees, with a central obelisk with one or two names surrounded by their children and grandchildren in circles or squares and then, as if there was a mass migration out of the area, one or two modern stones but no more.
So many tiny stones with sleeping sheep on them litter this graveyard in particular, for children who died. So very many. And I think of my niece Victoria, who I never had a chance to meet. Who died a week away from her birth. I remember the photos of her post-delivery and how I was just waiting for her to open her eyes and wake up. She didn’t look dead. But she was. And I think about my brother, my heart, who had to endure a loss that no one should have to. I see her haunting his eyes still. And around me, there are so many sleeping sheep.
Our Little Joseph. We miss him.
Helen Masser, 1909-1910.
Natalino Giovannini, Dec 26, 1909 – Jan 8, 1910.
Francesca Testane, Morto 1909, 19 months.
Leos Bills. Mat Bills.
Stephen, infant son, died 1912.
In the wake of such a sobering moment, a thriving patch of bright yellow flowers caught my eye. Mary Hopkins, died May 13, 1913. Almost a century ago. Yet the sight of those flowers lit a hope in me that someone came to honor her. Someone else planted those flowers, and maybe comes still and speaks the name of Mary Hopkins, strokes the grass above her, and offers a little light in the darkness of her loss. Maybe some other descendent looking for roots.
Another Mary’s modest stone lies lodged beneath a twisting tree being while ---e Quilligan has been sucked down into the dirt gone soft from the flooding waters. As did Bridget --- who died February 16---.
Mostly what I saw among the fallen leaves and green grasses, were monuments lying in pieces, carefully laid, where they could be, by cemetery caretakers during clean up, tucking small crosses into spire niches; in other places the pieces of rubble were stacked carefully over the plot. The ground buckled often beneath me. Gravestones teetered and tottered down zigzagging rows. From the road, driving past every day, the rows look pin-perfect. Poor Peter O’ Donnelly and James Roche, both died in 1865, both laid to rest in the same space, and both suffered stones upturned from their pedestals. With so much buckling above ground, what is the state of the graves below?
Then I came upon Philip Sullivan, died 1893, and Mary, his wife, who died in 1906. Mary who died after him and still died without more of a name. I repeated “Mary, his wife” over and over, reaching out to her spirit with the words. I want her to have a moment, somewhere in the past, somewhere when she was alive. I want her to hear her name and know somewhere in her secret inside wisdom that a daughter of Margaret, of Patricia, of Margaret is standing at her tomb, speaking her name aloud and knowing that somewhere in the web of life, she mattered.
And then I stumbled, and almost stepped upon, The Regan Stone, 1822-1934. This being of unknown gender flourished in a time of hardship. The man or woman saw the Civil War, the mass production of automobiles, and World War I, dying during our country’s depression. To have lived that long and leave only a simple marker… And I think of all those who have died who have not had family to put them to rest or whose bodies have not been found to be put to rest and I think that in such a time of financial crisis, perhaps Regan was luckier than his/her peers to be honored with a stone at all.
The ground was littered with small white mushrooms and, in the center of the cemetery, the ground actually pitched and cratered beneath my feet. The safe path brought me to Edward Hanefin, born 1856, his wife Mary Elizabeth 1865-1913, his daughters, Elizabeth 1890-1891 and then Marie 1892-1920. But there must have been no left to remember to engrave his date of death. Or he died away from here and unknown. Or… I will never know. But I saw his name and that he was born. And he lived in the world and added to it. Edward Hanefin, I remember you.
Walter Paul Bowen, Architect, 1902-1980. It was a modest, proud and accomplished marker. Smaller, older tombstones sat strewn along the river edge, worn and faded and covered in lichen and moss. There were old sections of Italian names and Greek names, foreign words etched on stone. The Irish monopolized the far end of the plots.
Nellie N. Hodgson, 1883-1930, and baby. That pulled me to the mirror world along the river, needing a moment. I felt so much grief in the carving of that truth. Twisting trees dipped down to meet themselves in reflection, showing the spirits doorways to cross over. Beside it, I found a section of stones fitted with porcelain oval photos of the deceased. Some were missing, some were damaged. I am familiar with this practice and I can’t help but think that’s what I want… a room with images of those who have passed on. A room of memories smiling at me out of life. I was warmed by the faces defining names.
Miroslav Skiruvan, 1925-1930, spi sladce nas synui.
Hedvika Nemgansky, 1920-1928, odpocivejv pokoji.
Michael Pecha, 1879-1933, Paulina Pecha 1879-1932, nech odpocivaju v pokoji.
PFC Alex F. Kuracina, WW2, KIA, 1912-1944.
It was the first time I have ever experienced the sensation that my feet walked over the bones of the deceased. It was also the closest I have ever been inside a cemetery so near Samhain since I have come into myself. I move quickly through the disconcerting sensations into a power grid of energy I am touching as I walk gently and quietly across the strange and spongy grass, watching for sinkholes.
There is one stone that won me in that space. One marker that made me long to know the woman it was erected for. There were various statues of Mary all over, overshadowed only by sculptural crosses: In Ever Loving Memory of Bridget McTague, born in Ireland, died in Binghamton, NY, October 13, 1955, erected by her loving children. Bridget’s stone had beautiful and engraved scrollwork with a niche cut out of the top. In the niche was Mary, the blessed Goddess, but in transformation. Her face, unblemished, unmarred, was sculpted into some semblance of cat or rabbit. And my gut felt that woman must have been a nurturer, must have been a wonder. And sixty years later, walking the resting place of the dead on a quiet afternoon, I touch that echo of her left behind.
Reflections
Where are the bones of your ancestors in the physical world? What are their geographic locations? Mine have been turning to dust and ash in England, Germany, Ireland, Poland, Massachusetts, Michigan and New York state… that I am aware of. After so many centuries there must be more, scattered across the worlds.
As each generation takes breath from the air, another generation decays and returns to the earth. As each body burns in fire, the tears of grief flow, nourishing the decay flourishing in the earth, and another generation is born to take breath from the air. Life is a cycle that will continue.
As each generation takes breath from the air, another generation decays and returns to the earth. As each body burns in fire, the tears of grief flow, nourishing the decay flourishing in the earth, and another generation is born to take breath from the air. Life is a cycle that will continue.
Monday, November 1, 2010
Reflections from a Dumb Supper
My Great-Grandmother Elsie Durant Riddle (1904-1994) and me, 1989.
There were thirteen chairs at the table. Six bodies needing breathe, six invited spirits needing body and one shrouded place setting that was gateway to Otherworld. I called in the spirits to dine with us and then I invited my Great-Grandma Elsie to sit across from me, my hands on the sweater I had hung on her chair, her ring in a box beside her plate. And we began. After dessert, when the main course was served, I found myself swinging my legs beneath the table and when I focused on the emotion that was causing the physical motion, a memory within me opened...
I was sitting on the end of the twin bed covered with a white, woven bedspread that had little raised puffs on it that created a design on top of it. We only pulled this bedspread out when my Great-Grandma stayed with us for the summer. I remember noting, when I was a child, that I didn't know where the bedspread lived while she was inFlorida . In the moment of the memory, I was sitting on that bedspread, swinging legs that didn't touch the floor yet, sitting with my Great-Grandma while she dressed for the day. When she was with us, I liked to follow her around like a miniature shadow. She was my mother’s Grandmother and I was aware that she had known my Grandfather when he wore diapers and that fact amazed me. I am not sure she liked us intruding on her routine, but she let us, and adored us in return.
It was our time, in the mornings, before we children ran outside to play with the neighborhood kids. In this memory, it is just her and I. I watched incredulously as she pulled on her knee-high stockings in the 98 degree heat and asked her if she was cold in disbelief. I didn't yet understand that for someone from a warmer climate,New York was colder in general. Then she pulled on ankle-length pants, a light summer blouse, and then a knit sweater with one of those clips that held it on her shoulders like a cape. Last on were these cork and cloth wedge sandals that she wore. Her skin was soft and paper-smooth, with some curvy edges that jiggled a little when she laughed. To me, my Grandma always smelled of cool baby powder…
...back at the supper, I could still feel the raised surface of the bedspread beneath my fingers and how, even in the heat of the summer, her skin was cool beneath my touch. Every silent supper I sit with her unlocks another memory, another treasure. I could feel the fullness of the room around me as if it were a choreographed dancing of currents moving in and out of and around and under each other.
I was sitting on the end of the twin bed covered with a white, woven bedspread that had little raised puffs on it that created a design on top of it. We only pulled this bedspread out when my Great-Grandma stayed with us for the summer. I remember noting, when I was a child, that I didn't know where the bedspread lived while she was in
It was our time, in the mornings, before we children ran outside to play with the neighborhood kids. In this memory, it is just her and I. I watched incredulously as she pulled on her knee-high stockings in the 98 degree heat and asked her if she was cold in disbelief. I didn't yet understand that for someone from a warmer climate,
...back at the supper, I could still feel the raised surface of the bedspread beneath my fingers and how, even in the heat of the summer, her skin was cool beneath my touch. Every silent supper I sit with her unlocks another memory, another treasure. I could feel the fullness of the room around me as if it were a choreographed dancing of currents moving in and out of and around and under each other.
And that is what our lives are like, touching each other, moving away to and into one another, bouncing off of and merging with… intersecting and separating. And even as the years since her death pull us further from each other physically, my work has allowed me to close that gap by recalling the past with a surge of emotional memory that brings it present. Everyone is a gift, as Elsie was to all those who knew her.
Sunday, October 31, 2010
A Halloween Gift; Blessed Samhain
Remember
By Joy Harjo
Remember the sky you were born under,
know each of the star's stories.
Remember the moon, know who she is.
Remember the sun's birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother's, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
Wednesday, October 27, 2010
Setting a Place for the Dead
Samhain
It’s pronounced Sow-en and it’s an old Celtic festival celebrating the transition of the land from harvested to resting. It’s also one of two nights in the year when the veil that separates this world from the last and next are thin, allowing us to more easily contact those who have come before and those who have passed on. The U.S. holiday of Halloween has its roots in Samhain, brought over by the Irish immigrants who found the New World pumpkins much easier to carve into lanterns than the turnips they had used in their homeland.
Before the Christians introduced themselves to the Celtic lands, the people had no human personifications of deity. Danu was not a woman who represented the river Danu or the element of water. Danu was the river that flowed through the land and she was mighty. The Celtic people believed the land spirits and elementals walked among them, visible at liminal times and in liminal spaces; the point between yesterday and today, between today and tomorrow, between light and dark. They saw a space between inside and out, as in doorways and windows (which is where the idea of carrying a bride over the threshold is rooted). After Christianity bonded itself to their pagan, or pastoral, ways, land deities were personified as human to match up with Saints.
According to Eliade's Encyclopedia of Religion: "The Eve and day of Samhain were characterized as a time when the barriers between the human and supernatural worlds were broken. Not a festival honoring any particular Celtic deity, Samhain acknowledged the entire spectrum of non-human forces that roamed the earth during that period." It’s a night for divination and conversing with the spirit world, human, tree, stone, wind and other.
This is the time I long for… at the moment the harvest is in, the beds are put to sleep and there is a moment for some rest. There is time for some rest and quiet conversation with old ghosts. My house stands near the meeting of two rivers and I call on the energy of those forces of nature. I call on the power of the mountains ablaze in autumn color. I call on the energy of the steady stone, asleep beneath me. I call on these energies so that I may awaken myself to the beings that I share this space with. I call on the light of that magick and I call it into me, where it will join with my will and my flame and it will guide me through the dark months.
Mothers of my mother and fathers of my father, steady the flame within me. There is still a long way to go.
The Dumb Supper
On the night when the veil is thinnest, the dead walk the earth again, if only in spirit form. I visualize the different overlapping energetic planes as separated by veils, instead of walls. At Samhain, the veil lifts and the skin separating us is no more. We all share the same space for the duration of this holiday. Celtic people would put a candle inside a carved turnip in the window, to light the way home for their dead. The religious introduction of the devil condemned these spirits into demons. After that, scary faces were carved in them to frighten the evil away from the home; what had been a lantern and invitation to come inside became both a ward and warning.
When I carve my pumpkin, I intend it to be a beacon. I will place it on the altar when I sit down with friends, each of us and one of our ancestors or beloved dead sitting down to honor them at a formal Dumb Supper. While the specific Dumb Supper is Celtic in origin, you can find variations on this ritual in Korean, Mexican, Appalachian and Egyptian cultures veneration of ancestors.
In the formal dinner, a place is set at the head of the table, a shroud set over the chair. This place setting is the Spirit Chair and acknowledges all the spirits your heart and home are open to. You may wish to set other chairs for specific ancestors and loved ones, too. One way I personalize the Spirit Chair is by writing all of the names of my ancestors and loved ones in silver sharpie on a dark plate that I bought at a local dollar store. Place a candle on the center of the plate, and any others intended for those who have gone before. Prayers and letters to the spirits can be placed under the plate. At the beginning of the meal, light the candle and speak the name of the spirit you are inviting out loud. These will be the last words spoken. A Dumb Supper is a silent supper, silent being the original meaning of the word dumb (as in deaf, dumb and blind). In a shared space I use instrumental music to help keep it focused and sacred.
The table itself is set with the service backwards from how you would normally set it. If your glass sits on the right side of your plate, you set it on the left. Same for your linens and silverware. Dinner is also served backwards, starting with dessert, main course, side dishes and ending with the appetizer. You can adapt this depending on what format of meal your family prefers; it’s all about the intention of mirroring the effect. Where possible, I have found it beneficial to make recipes that are meaningful or have history for you and the spirits you invite. When the food is served, course by course, the Spirit Chair is served first, and then the spirits, taking a note from the ancient Greeks and offering a good portion to them.
Enjoy the meal. Pay attention to memories that flood your body or images that come to you. Be open to accepting everything and try not to rationalize or process the experience as it happens. Maybe you will hear a voice. Maybe you will feel the strongest impression that you just had a conversation with someone deceased. Maybe you will be met in your dreams as you drift into Otherworld in slumber. Maybe nothing will happen for you. But the spirit you invite to the table will be honored, fed, and warmed.
When the meal is over, say a final farewell. If possible, leave the food on the table until the candle sputters out (I recommend tea lights) and let the food get cold. Then dispose of it with sacred intention. If you live in the country, you could leave the plate outside for the night (candle extinguished of course). If you have the blessing of composting, you can recycle the offerings.
In Your Home
This year, start your holiday with intention as you carve your pumpkin. Will it be an invitation for you to open your house for the night? Or will it be an offering in itself of honor, but nothing more? Which choice is right for you this year?
Invite your close friends over for a sit down meal with an ancestor or a shared loved one who has passed. Find ways to make it meaningful for yourselves. Of course, not everyone can set aside the time or resources for a formal dinner, especially not on Halloween when the children are trick-or-treating. Instead, try setting another place at the table while you eat your usual dinner. Light a candle on the plate and simply offer a bit of what you have to the spirit plate first. What impressions flow through you during your meal?
Listen to the wind and the skittering of the leaves.
Smell winter blowing in, like the shifting of the ocean current into the bay.
This is the water time. Change is coming. Change comes.
Pay attention to your dreams during the night.
What wisdom do the ancestors offer you?
Wednesday, October 20, 2010
Honoring the Recent Dead
All Hallows
In a previous post I shared the difference for me between my Ancestral Dead and my Beloved Dead. As we near All Hallows Eve, I want to share my thoughts on the Recent Dead, where the waters of grief are shallow and stormy, and easily stirred.
It is almost October’s Blood Moon, also known as the Hallow Moon, Shedding Moon and Winterfelleth, which means winter coming, and the New England earth is giving the last of her harvests. The tomato beds have been cleared and put to rest. We have passed the Equinox and turn towards winter and the longest night.
As the earth quiets and stills and both we and the animals prepare to spend more time indoors than out, we can hear more clearly our own thoughts and emotions. My thoughts move, at this time of year, to the people I have lost in the last turning of the wheel. The celebrations of Halloween and Samhain are dedicated to the concept of the spirits of the dead walking the land. This creates a collective of thoughts directed towards this idea on October 31, whether in belief or mockery or fun. With such a large pool of energy to connect to, it is a fitting time of year to actively honor their memories.
Death as a Passage
Just as births are a joyous occasion and a rite of passage for both parent and child, death is also a rite of passage for both the deceased and their loved ones. It’s supposed to be a moment that alters and colors our lives. After a birth you spend your life learning to let go of what could happen and help your child grow into their own person. After death you are forced to understand the absence of the physical and the acceptance of the unknowable.
Do you allow death to diminish you? Or do you use it as a catalyst to make changes in how you relate to your world, and the people in it? If someone died that you never told how important they were to you, take steps to make sure that doesn't happen to again. Tell those who remain how much you care. If someone you admired passed, be a role model for those who may look up to you. If someone passed in tragedy, have gratitude for the abundance you have been given and share it with others when they are in need.
A fetus spends nine months in its cocoon, forming and birthing itself. As someone who appreciates the balance of the natural world, I believe that our spirits, once released from the larger physical cocoon, spends time to unform from the essence of who we are into… whatever comes next. Whatever you believe that to be. I honor the unknowable journey when I honor their memory.
What names sit in your list of recent dead? Who were they to you? What impact did they have on your life? What lessons did they bring that challenged you and helped you grow?
My Recent Dead
Karl Weber, a loved friend, passed last January in tragedy. He had the most exquisite crystal blue eyes and a smile that was infectious. He was always honest with me, and never knowing how else to put a thing, he said it direct. Karl told me that when he was younger he was not always a good person, but in the span of years I knew him, he was generous with his self, his heart and with his time. He is missed.
Lunabelle the Jackalope Cat, our beloved pet and family member passed March 4th. My baby, also known as Luna-No-Pants and Chicken McNugget. She was the first being I reared into the world and was my shadow and companion for almost ten years. She became suddenly sick and when we took her to the vet we discovered that she only had hours to live. She is irreplaceable.
Charles Littman was my kindergarten teacher and Ellen Fitzgerald was my fifth grade teacher, one of the first truly compassionate and open-minded adults I met. The world is a better place for the work they both did and the heart they gave. They touched the lives of hundreds of children who are now adults in the world, impacting change and creating new families.
I am a better person for having known them, for having been shaped and colored by their deeds, ideals, and service. I see the threads that connect us all more clearly every year. There are many ways to honor the memory of the recent dead. If they died from illness, you can make a charitable donation in their name or volunteer time at a hospice. If it was a role model of yours, see where you can give back, like maybe working with Habitat for Humanity, or reading stories to children at the library. The one thing death clearly defines is how important it is to be a part of the life around us. No cultural festival demonstrates that idea better than Dia De Los Muertos.
The Day of the Dead
I like how this festival joyfully celebrates the lives of those who have recently passed. I find that the funerary customs I was raised with actually attributed more to my struggles with how to grieve. For those who celebrate The Day of the Dead, there is no room for tears and grief during the three days of reverence that last October 31- November 2. They believe that an invitation to their dead for a party should be a party when they show.
Families decorate the graves of loved ones with candles to warm the hands of the spirits and their favorite foods to entice them to return for a visit. The more recent the death of the deceased, the more extravagant the altar built in their name will be. Families’ picnic and feast together in the cemeteries, decked with the scents of copal and marigold, and littered with Calaveras (sugar skulls). It should be noted that The Day of the Dead does not historically connect to Halloween. It traces back to a month long celebration of the Aztec people, which took place in the calendar month of August. When the Spaniards stumbled upon it, they moved it they moved the festival to correlate with their festival of All Souls.
Spend a moment and share the name of someone who impacted your life, in whatever way, who passed this last year. Offer a toast to their memory the next time you share a drink. Tell a story of something you learned from them, or share a memory that makes you laugh.
Every life touches another.
Every death vibrates in someone’s breast.
May those we have lost be at peace.
May those who have lost find peace again.
Ase.
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